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Literature: The Human Experience, Shorter Edition
Reading and WritingTwelfth Edition| ©2018 Richard Abcarian; Marvin Klotz; Samuel Cohen
Literature: The Human Experience provides a broad range of compelling fiction, poetry, drama, and nonfiction that explores the intersections and contradictions of human nature. Timeless themes such as innocence and experience, conformity and rebellion, culture and identity, love and hate...
Literature: The Human Experience provides a broad range of compelling fiction, poetry, drama, and nonfiction that explores the intersections and contradictions of human nature. Timeless themes such as innocence and experience, conformity and rebellion, culture and identity, love and hate, and life and death are presented through the context of experiences that are enduringly human. Diverse selections from contemporary and classic authors across time and cultures offer students opportunities to discover literature with which they can connect.
A flexible arrangement of literature within each theme allows instructors to teach the text however best suits their classrooms, and the expert instruction and exciting selections will help to guide and entice even the most reluctant readers. Enhancements to the shorter twelfth edition include two new casebooks that help students to see how literature can make arguments as well as new reading questions that ask students to make arguments about the selections. To top it off, Literature: The Human Experience is value-priced, providing a wealth of material for an affordable price.
Literature: The Human Experience is also available with LaunchPad Solo for Literature, a set of online materials that helps beginning literature students learn and practice close reading and critical thinking skills in an interactive environment.
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A brief thematic anthology that connects literature to life
Literature: The Human Experience provides a broad range of compelling fiction, poetry, drama, and nonfiction that explores the intersections and contradictions of human nature. Timeless themes such as innocence and experience, conformity and rebellion, culture and identity, love and hate, and life and death are presented through the context of experiences that are enduringly human. Diverse selections from contemporary and classic authors across time and cultures offer students opportunities to discover literature with which they can connect.
A flexible arrangement of literature within each theme allows instructors to teach the text however best suits their classrooms, and the expert instruction and exciting selections will help to guide and entice even the most reluctant readers. Enhancements to the shorter twelfth edition include two new casebooks that help students to see how literature can make arguments as well as new reading questions that ask students to make arguments about the selections. To top it off, Literature: The Human Experience is value-priced, providing a wealth of material for an affordable price.
Literature: The Human Experience is also available with LaunchPad Solo for Literature, a set of online materials that helps beginning literature students learn and practice close reading and critical thinking skills in an interactive environment.
Features
A broad range of classic and contemporary works explore the intersections and contradictions of human nature. Literature: The Human Experience provides a diverse range of captivating stories (46), poems (211), plays (8), and essays (40) from different times, places, and schools of thought. No matter who students are, this text will expose them to literature with which they can connect.
A flexible arrangement accommodates the needs of any classroom. Selections within each of the five major themes — Innocence and Experience, Conformity and Rebellion, Culture and Identity, Love and Hate, and Life and Death — are organized by genre (for focus on the elements of literature) and by chronology (for focus on historical context).
Ample instruction on critical reading and writing. Students can only connect with writing if they know how to read it. Two chapters on reading and writing about literature introduce students to the important elements of each genre, offer helpful guidelines for writing commonly assigned essays, and provide instruction on documentation supplemented with a sample student research paper.
Post-reading questions encourage students to relate literature to their own lives and the lives of others. Questions throughout each thematic section prompt students to analyze individual works, make connections with other works, and respond thoughtfully to—and argue critically about—what they've read.
"Connecting" clusters explore unifying ideas and highlight the connections that bind people and literature across time and cultures. The thematic chapters are punctuated with 24 pairs and clusters of literary works that encourage comparative critical thinking and feature appealing topics, such as "Revising America" (poems about divergent ideas of the American dream) and "Rebellious Imaginations" (stories in which the protagonists inwardly rise up against the monotony of their everyday lives). These "Connections" provide a ready-made structure for teaching and give students with a jumping-off place for making connections in their reading.
An affordable price. This collection of compelling literature and expert editorial support is a great value—$10 to $30 less than comparable anthologies.
To get the most out of Literature: The Human Experience, assign it with LaunchPad Solo for Literature, which can be packaged at no additional cost. With easy-to-use and easy-to assign modules, reading comprehension quizzes, and engaging author videos and audio recordings, LaunchPad Solo for Literature guides students through three common assignment types: responding to a reading, drawing connections between two or more texts, and instructor-led collaborative close reading. Get all of our great resources and activities in one fully customizable space online; then use our tools with your own content.
New to This Edition
Contemporary, diverse literature that's easy for students to connect with. Nearly a quarter of the literature is new, including:
- Provocative new fiction that speaks to students, plus a few classics that continue to engage them. “The End of FIRPO in the World” by George Saunders and Camden Joy’s ‘Dum Dum Boys” are new to the shorter twelfth edition, as are the classics "Half a Day" by Naguib Mahfouz and Lu Xun’s "Diary of a Madman."
- Recent poetry by poets to watch — and some old favorites that students shouldn't miss. Selections from Jonathan Swift, William Blake, Czeslaw Milosz, Léopold Sédar Senghor, and others are new to the anthology, as are modern voices such as Dilruba Ahmed, Tishani Doshi, Chris Abani, and Omar Pérez.
- A short, teachable play from an acclaimed playwright. Edward Albee’s The Sandbox makes its first appearance in the anthology in the chapter on Life and Death.
- A fresh harvest of nonfiction. The new essays represent some of the most stimulating work in this ever-growing genre, from critically acclaimed essays by Eula Biss and Jonathan Lethem to short examples of creative nonfiction from the much-admired online journal Brevity.
More support for making arguments about literature. A new section in “Responding to Literature” shows students the basic building blocks of argument, and new "Making Arguments" questions throughout the thematic chapters ask students to argue critically about—and with—the literature they’re reading.
Two new case studies explore arguments within the genres. Case studies on debates about Flannery O’Connor (in “Innocence and Experience”) and the conditions of modern-day revolutions (in “Conformity and Rebellion”) show students how literature can make arguments about our world and our lives.
"Literature: The Human Experience is easy to use, well organized by theme, and inexpensive. The discussion questions are well thought out and the suggested pairings and connections are excellent."
–Karen Ryan, Florida Gulf Coast University"I like the clear thematic arrangement of Literature: The Human Experience. The text has a nice balance between the canonical and contemporary works, offering so much to students without overwhelming them. The book asks thoughtful questions to help students develop analytical and writing skills—everything I need for an introductory literature text."
–Yixiong Liang, Mohawk Valley Community College
"Literature: The Human Experience is a low-cost, high quality text."
–Jill Rossiter, Lewis-Clark State College

Literature: The Human Experience, Shorter Edition
Twelfth Edition| ©2018
Richard Abcarian; Marvin Klotz; Samuel Cohen
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Literature: The Human Experience, Shorter Edition
Twelfth Edition| 2018
Richard Abcarian; Marvin Klotz; Samuel Cohen
Table of Contents
Preface for Instructors
INTRODUCTION
Responding to Literature
Emily Dickinson, There Is No Frigate Like A Book
Why We Read Literature
Reading Actively and Critically
Reading Fiction
The Methods of Fiction
Tone
Plot
Characterization
Setting
Point of View
Irony
Theme
Questions for Exploring Fiction
Reading Poetry
Walt Whitman, When I Heard the Learn'd Astronomer
Word Choice
Figurative Language
Metaphor
Simile
Personification
Allusion
Symbols
The Music of Poetry
Questions for Exploring Poetry
Reading Drama
Stages and Staging
The Elements of Drama
Characters
Dramatic Irony
Plot and Conflict
Questions for Exploring Drama
Reading Nonfiction
Types of Nonfiction
Narrative Nonfiction
Descriptive Nonfiction
Expository Nonfiction
Argumentative Nonfiction
Analyzing Nonfiction
The Thesis
Structure and Detail
Style and Tone
Questions for Exploring Nonfiction
Writing about Literature
Responding to Your Reading
Annotating While You Read
William Shakespeare, Sonnet 29
Freewriting
Keeping a Journal
Exploring and Planning
Asking Good Questions
Establishing a Working Thesis
Gathering Information
Organizing Information
Drafting the Essay
Refining Your Opening
Supporting Your Thesis
Revising the Essay
Editing Your Draft
Selecting Strong Verbs
Eliminating Unnecessary Modifiers
Grammatical Connections
Proofreading Your Draft
Some Common Writing Assignments
Explication
Analysis
Comparison and Contrast
The Research Paper
An Annotated Student Research Paper
Some Matters of Form and Documentation
Titles
Quotations
Brackets and Ellipses
Quotation Marks and Other Punctuation
Documentation
Documenting Online Sources
A Checklist for Writing about Literature
INNOCENCE AND EXPERIENCE
Questions for Thinking and Writing
Fiction
Nathaniel Hawthorne, Young Goodman Brown
*Naguib Mahfouz, Half a Day
John Updike, A & P
Toni Cade Bambara, The Lesson
Jamaica Kincaid, Girl
*Camden Joy, Dum Dum Boys
CONNECTING STORIES: Crushes
James Joyce, Araby
Rivka Galchen, Wild Berry Blue
CASE STUDY IN ARGUMENT: Finding Grace in Flannery O’Connor
Flannery O'Connor, A Good Man Is Hard to Find
Flannery O'Connor, from Mystery & Manners
*Bob Dowell, from The Moment of Grace in the Fiction of Flannery O’Connor
Hallman B. Bryant, Reading the Map in "A Good Man Is Hard to Find"
*Michael Clark, Flannery O’Connor’s "A Good Man Is Hard to Find": The Moment of Grace
Poetry
*Jonathan Swift, Stella’s Birth-Day. 1724-5
William Blake, The Chimney Sweeper (Songs of Innocence)
*William Blake, The Chimney Sweeper (Songs of Experience)
William Blake, The Lamb
*William Blake, The Shepherd
William Blake, The Garden of Love
William Blake, London
William Blake, The Tyger
Robert Browning, My Last Duchess
Emily Dickinson, I felt a Funeral, in my Brain
*Thomas Hardy, The Men Who March Away
Gerard Manley Hopkins, Spring and Fall
A.E. Housman, When I Was One-and-Twenty
Robert Frost, The Road Not Taken
Robert Frost, Birches
Stevie Smith, Not Waving but Drowning
Countee Cullen, Incident
Lawrence Ferlinghetti, Constantly Risking Absurdity
Philip Larkin, This Be the Verse
Anthony Hecht, After the Rain
Audre Lorde, Hanging Fire
*Alicia Ostriker, The Dogs at Live Oak Beach, Santa Cruz
*Louise Glück, The Myth of Innocence
Louise Glück, The School Children
Alan Feldman, My Century
Sandra Cisneros, My Wicked Wicked Ways
Sandra Castillo, Christmas, 1970
Evelyn Lau, Solipsism
CONNECTING POEMS: Voices of Experience
Langston Hughes, Mother to Son
Peter Meinke, Advice to My Son
Robert Mezey, My Mother
Gary Soto, Behind Grandma's House
Drama
Henrik Ibsen, A Doll's House
Suzan-Lori Parks, Father Comes Home from the Wars
Nonfiction
Langston Hughes, Salvation
Judith Ortiz Cofer, American History
Brian Doyle, Pop Art
Further Questions for Thinking and Writing
CONFORMITY AND REBELLION
Questions for Thinking and Writing
Fiction
Herman Melville, Bartleby, the Scrivener
Franz Kafka, A Hunger Artist
Ralph Ellison, Battle Royal
Shirley Jackson, The Lottery
Harlan Ellison, "Repent, Harlequin!" Said the Ticktockman
Amy Tan, Two Kinds
*George Saunders, The End of FIRPO in the World
Poetry
Richard Crashaw, But Men Loved Darkness rather than Light
William Wordsworth, The World Is Too Much with Us
Alfred, Lord Tennyson, Ulysses
Emily Dickinson, Much Madness is divinest Sense
Emily Dickinson, She rose to His Requirement
Thomas Hardy, The Man He Killed
William Butler Yeats, Easter 1916
William Butler Yeats, The Second Coming
Carl Sandburg, I Am the People, the Mob
*Wallace Stevens, Peter Quince at the Clavier
Claude McKay, If We Must Die
Langston Hughes, Harlem
W. H. Auden, The Unknown Citizen
Dudley Randall, Ballad of Birmingham
Gwendolyn Brooks, We Real Cool
Marge Piercy, The Market Economy
Carolyn Forche, The Colonel
Natasha Trethewey, Flounder
CONNECTING POEMS: Revising America
Walt Whitman, One Song, America, Before I Go
Langston Hughes, I, Too
Allen Ginsberg, A Supermarket in California
Shirley Geok-Lin Lim, Learning to Love America
Drama
Sophocles, Antigonê
Nonfiction
Jonathan Swift, A Modest Proposal
CASE STUDY IN ARGUMENT: Making Change
*Bill McKibben, A Call to Arms: An Invitation to Demand Action on Climate Change
*Rebecca Solnit, Revolutions Per Minute
*Malcolm Gladwell, Small Change: Why the Revolution Will Not Be Tweeted
Further Questions for Thinking and Writing
CULTURE AND IDENTITY
Questions for Thinking and Writing
Fiction
*Lu Xun, Diary of a Madman
Charlotte Perkins Gilman, The Yellow Wallpaper
William Faulkner, A Rose for Emily
James Baldwin, Sonny's Blues
Alice Walker, Everyday Use
Sherman Alexie, This Is What It Means to Say Phoenix, Arizona
Poetry
*Jonathan Swift, Market Women’s Cries
Walt Whitman, from Song of Myself
Emily Dickinson, I'm Nobody! Who Are You?
James Weldon Johnson, A Poet to His Baby Son
T. S. Eliot, The Love Song of J. Alfred Prufrock
*Howard Nemerov, Money
Etheridge Knight, Hard Rock Returns to Prison from the Hospital for the Criminal Insane
Marge Piercy, Barbie Doll
Kay Ryan, All Shall Be Restored
Juan Felipe Herrera, 187 Reasons Mexicanos Can't Cross the Border (remix)
*Gregory Djanikian, Sailing to America
Judith Ortiz Cofer, Latin Women Pray
Louise Erdrich, Dear John Wayne
Marilyn Chin, How I Got That Name
Taslima Nasrin, Things Cheaply Had
*Omar Pérez, Contributions to a Rudimentary Concept of Nation
*Chris Abani, Blue
Kevin Young, Negative
Terrance Hayes, Root
*Tishahi Doshi, The Immigrant’s Song
*Tishani Doshi, Lament I
CONNECTING POEMS: America through Immigrants’ Eyes
Phillis Wheatley, On Being Brought from Africa to America
*Emma Lazarus, The New Colossus
*Léopold Sédar Senghor, To New York
*Kofi Awoonor, America
Drama
David Henry Hwang, Trying to Find Chinatown
Nonfiction
Virginia Woolf, What If Shakespeare Had Had a Sister?
George Orwell, Shooting an Elephant
*Eula Biss, Time and Distance Overcome
CONNECTING NONFICTION: Fitting In
Bharati Mukherjee, Two Ways to Belong in America
Lacy M. Johnson, White Trash Primer
Further Questions for Thinking and Writing
LOVE AND HATE
Questions for Thinking and Writing
Fiction
Kate Chopin, The Storm
Zora Neale Hurston, Sweat
Ernest Hemingway, Hills Like White Elephants
Raymond Carver, What We Talk About When We Talk About Love
Joyce Carol Oates, Where Are You Going, Where Have You Been?
*Lydia Millet, Love in Infant Monkeys
Poetry
Sappho, With His Venom
William Shakespeare, Sonnet 18 "Shall I compare thee to a summer's day?"
William Shakespeare, Sonnet 29 "When, in disgrace with fortune and men's eyes"
William Shakespeare, Sonnet 64 "When I have seen by Time's fell hand defaced"
William Shakespeare, Sonnet 116, "Let me not to the marriage of true minds"
William Shakespeare, Sonnet 130 "My mistress' eyes are nothing like the sun"
John Donne, The Flea
John Donne, A Valediction: Forbidding Mourning
Ben Jonson, Song, to Celia
Robert Herrick, To the Virgins, to Make Much of Time
Anne Bradstreet, To My Dear and Loving Husband
Andrew Marvell, To His Coy Mistress
William Blake, A Poison Tree
Robert Burns, A Red, Red Rose
Matthew Arnold, Dover Beach
Robert Frost, Fire and Ice
Dorothy Parker, One Perfect Rose
Theodore Roethke, I Knew a Woman
Elizabeth Bishop, One Art
Wislawa Szymborska, A Happy Love
Lisel Mueller, Happy and Unhappy Families I
Carolyn Kizer, Bitch
*Carolyn Kizer, Afternoon Happiness
Galway Kinnell, After Making Love We Hear Footsteps
Adrienne Rich, Living in Sin
Sylvia Plath, Daddy
Lucille Clifton, There Is a Girl Inside
Seamus Heaney, Valediction
Billy Collins, Sonnet
Wyatt Prunty, Learning the Bicycle
Adrian Blevins, The Case Against April
Daisy Fried, Econo Motel, Ocean City
CONNECTING POEMS: Remembering Fathers
Theodore Roethke, My Papa's Waltz
Robert Hayden, Those Winter Sundays
Li-Young Lee, Eating Alone
CONNECTING POEMS: Love Stinks
*Catullus, 70
*Aphra Behn, Love in Fantastique Triumph satt
*Edna St. Vincent Millay, I know I am but summer to your heart (Sonnet XXVII)
*Faiz Ahmed Faiz, Be Near Me
*Andrea Hollander, Betrayal
Drama
William Shakespeare, Othello
Susan Glaspell, Trifles
Nonfiction
Paul, 1 Corinthians 13
Maxine Hong Kingston, No Name Woman
*Sonya Chung, Getting It Right
CONNECTING NONFICTION: Looking for Love in All the Wrong Places
*Dagoberto Gilb, I Knew She Was Beautiful
*Pablo Piñero Stillmann, Life, Love, Happiness: A Found Essay from the Twitterverse
Further Questions for Thinking and Writing
LIFE AND DEATH
Questions for Thinking and Writing
Fiction
Edgar Allen Poe, The Cask of Amontillado
Leo Tolstoy, The Death of Ivan Ilyich
Kate Chopin, The Story of an Hour
Tim O'Brien, The Things They Carried
Helena María Viramontes, The Moths
CONNECTING STORIES: Mourning Rituals
Leslie Marmon Silko, The Man to Send Rain Clouds
*Allegra Goodman, Apple Cake
Poetry
Anonymous, Edward
William Shakespeare, Sonnet 73 "That time of year thou mayst in me behold"
William Shakespeare, Fear No More the Heat o' the Sun
John Donne, Death, Be Not Proud
*Jonathan Swift, A Satirical Elegy on the Death of a Late Famous General
Percy Bysshe Shelley, Ozymandias
John Keats, Ode on a Grecian Urn
Emily Dickinson, After great pain, a formal feeling comes
Emily Dickinson, I heard a Fly buzz—when I died
Emily Dickinson, Apparently with no surprise
Emily Dickinson, Because I could not stop for Death
Gerard Manley Hopkins, God's Grandeur
A. E. Housman, To an Athlete Dying Young
William Butler Yeats, Sailing to Byzantium
Edwin Arlington Robinson, Richard Cory
Robert Frost, After Apple-Picking
Robert Frost, "Out, Out—"
Robert Frost, Nothing Gold Can Stay
Robert Frost, Stopping by Woods on a Snowy Evening
Robert Frost, Design
Pablo Neruda, The Dead Woman
*Czeslaw Milosz, A Song on the End of the World
Dylan Thomas, Do Not Go Gentle into That Good Night
James Wright, Lying in a Hammock at William Duffy's Farm in Pine Island, Minnesota
Donald Hall, Affirmation
*Marvin Klotz, Requiem
Alicia Ostriker, Daffodils
Seamus Heaney, Mid-term Break
Jane Kenyon, Let Evening Come
Yusef Komunyakaa, Facing It
Victor Hernández Cruz, Problems with Hurricanes
Mark Halliday, Chicken Salad
Marie Howe, What The Living Do
*Dilruba Ahmed, Snake Oil, Snake Bite
CONNECTING POEMS: Animal Fates
Elizabeth Bishop, The Fish
William Stafford, Traveling Through the Dark
William Greenway, Pit Pony
*John Updike, Dog’s Death
Drama
*Edward Albee, The Sandbox
Nonfiction
John Donne, Meditation XIV, from Devotions upon Emergent Occasions
E. B. White, Once More to the Lake
CONNECTING NONFICTION: Rituals of Mourning
*Jonathan Lethem, 13,1977, 21
*Ruth Margalit, The Unmothered
Further Questions for Thinking and Writing
Appendices
Glossary of Critical Approaches
Introduction
Deconstruction
Ethical Criticism
Feminist Criticism
Formalist Criticism
Marxist Criticism
Historical Criticism
Psychoanalytic Criticism
Postcolonial Criticism
Reader-Response Criticism
Biographical Notes on the Authors
Glossary of Literary Terms
Index of Authors and Titles
* = New to this edition

Literature: The Human Experience, Shorter Edition
Twelfth Edition| 2018
Richard Abcarian; Marvin Klotz; Samuel Cohen
Authors

Richard Abcarian
Richard Abcarian (PhD, University of California, Berkeley) is a professor of English emeritus at California State University, Northridge, where he taught for thirty-seven years. During his teaching career, he won two Fulbright professorships. In addition to editing Literature: The Human Experience and its compact edition, he is the editor of a critical edition of Richard Wright's A Native Son, as well as several other literature textbooks.

Marvin Klotz
Marvin Klotz (PhD, New York University) was a professor of English emeritus at California State University, Northridge, where he taught for thirty-three years and won Northridge's distinguished teaching award in 1983. He was also the winner of two Fulbright professorships (in Vietnam and Iran) and was a National Endowment for the Arts Summer Fellow twice. In addition to editing Literature: The Human Experience and several other textbooks, he coauthored a guide and index to the characters in Faulkner's fiction.

Samuel Cohen
Samuel Cohen (PhD, City University of New York) is Associate Professor of English at the University of Missouri. He is the author of After the End of History: American Fiction in the 1990s, co-editor (with James Peacock) of The Clash Takes on the World: Transnational Perspectives on The Only Band that Matters, co-editor (with Lee Konstantinou) of The Legacy of David Foster Wallace, Series Editor of The New American Canon: The Iowa Series in Contemporary Literature and Culture, and has published in such journals as Novel, Clio, Twentieth-Century Literature, The Journal of Basic Writing, and Dialogue: A Journal for Writing Specialists. For Bedford/St. Martin's, he is author of 50 Essays: A Portable Anthology and coauthor of Literature: The Human Experience.

Richard Abcarian
Richard Abcarian (PhD, University of California, Berkeley) is a professor of English emeritus at California State University, Northridge, where he taught for thirty-seven years. During his teaching career, he won two Fulbright professorships. In addition to editing Literature: The Human Experience and its compact edition, he is the editor of a critical edition of Richard Wright's A Native Son, as well as several other literature textbooks.

Literature: The Human Experience, Shorter Edition
Twelfth Edition| 2018
Richard Abcarian; Marvin Klotz; Samuel Cohen
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Literature: The Human Experience, Shorter Edition
Twelfth Edition| 2018
Richard Abcarian; Marvin Klotz; Samuel Cohen
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