Writing Together by Andrea A Lunsford; Lisa Ede - First Edition, 2012 from Macmillan Student Store

Writing Together

Collaboration in Theory and PracticeFirst Edition ©2012 Andrea A Lunsford; Lisa Ede

Friends since graduate school, Andrea A. Lunsford and Lisa Ede have spent much of their careers writing together. Along the way, they have laid important theoretical groundwork for plural authorship in the humanities. Writing Together features their ground-breaking scholarship on collaboratio...
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Writing Together by Andrea A Lunsford; Lisa Ede - First Edition, 2012 from Macmillan Student Store

Friends since graduate school, Andrea A. Lunsford and Lisa Ede have spent much of their careers writing together. Along the way, they have laid important theoretical groundwork for plural authorship in the humanities. Writing Together features their ground-breaking scholarship on collaboration, audience, rhetorics and feminisms, and writing centers. Five new pieces written especially for this collection reflect on thirty years of co-authorship while looking forward to the changing face of writing and collaboration in the age of participatory media.

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Table of Contents

INTRODUCTION

Confluences 
 
ARTIFACTS OF COLLABORATION

Archival Photographs (1982-2009) 
Four Drafts of a First Page (1993-1995) 
Writing Together Across Technologies (1983-2008)  
Writer’s Block (1991)  
 
Part One WHY WRITE TOGETHER?  
 
1. Why Write…Together? (1983) 
2. Collaboration and Compromise: The Fine Art of Writing with a Friend (1988) 
3. An Interview with Andrea Lunsford and Lisa Ede: Collaboration as a Subversive Activity, interview by Alice Heim Calderonello, Donna Beth Nelson, and Sue Carter Simmons (1991) 
4. Dear Lisa/Dear Andrea: On Friendship and Collaboration (2011)  
 
 Part Two ON COLLABORATION 
 
5. Why Write…Together?: A Research Update (1986) 
6. Intertexts (1990) 
7. Old Beginnings (1990) 
8. Collaborative Writers at Work (1990) 
9. New Beginnings (1990) 
10. Collaborative Authorship and the Teaching of Writing (1992) 
11. Collaboration and Concepts of Authorship (2001) 
12. Collaboration and Collaborative Writing: The View from Here (2011)  
 
Part Three  ON AUDIENCE  
 
13. Audience Addressed/Audience Invoked: The Role of Audience in Composition Theory and Pedagogy (1984) 
14. Representing Audience: “Successful” Discourse and Disciplinary Critique (1996) 
15. “Among the Audience”: On Audience in an Age of New Literacies (2011) 
 
Part Four ON RHETORICS AND FEMINISMS

 
16. On Distinctions Between Classical and Modern Rhetoric (1984) 
17. Rhetoric in a New Key: Women and Collaboration (1990) 
18. Border Crossings: Intersections of Rhetoric and Feminism, with Cheryl Glenn (1995) 
19. Crimes of Writing and Reading (2006) 
20. The First Rhetoric(s) and Feminism(s) Conference and Its Legacy (2011) 
 
Part Five ON WRITING CENTERS  
 
21. Writing as a Social Process: A Theoretical Foundation for Writing Centers? (1989)   [Lisa Ede wrote this piece as a single author.]
22. Collaboration, Control, and the Idea of a Writing Center  (1991)    [Andrea A. Lunsford wrote this piece as a single author.]
23. Some Millennial Thoughts about the Future of Writing Centers (2000)  
24. Collaboration, Community, and Compromise: Writing Centers in Theory and Practice (2011)

 

Andrea A. Lunsford

Andrea Lunsford, Louise Hewlett Nixon Professor of English emerita and former Director of the Program in Writing and Rhetoric at Stanford University, joined the Stanford faculty in 2000. Prior to this appointment, Lunsford was Distinguished Professor of English at The Ohio State University (1986-2000). She has also been Associate Professor and Director of Writing at the University of British Columbia (1977-86). Currently a member of the faculty of the Bread Loaf School of English, Professor Lunsford earned her B.A. and M.A. degrees from the University of Florida and completed her Ph.D. in English at The Ohio State University (1977).

Professor Lunsford's scholarly interests include contemporary rhetorical theory, women and the history of rhetoric, collaboration and collaborative writing, current cultures of writing, intellectual property and composing, style, and technologies of writing. She has written or coauthored many books, including Essays on Classical Rhetoric and Modern Discourse; Singular Texts/Plural Authors: Perspectives on Collaborative Writing; and Reclaiming Rhetorica: Women in the History of Rhetoric, as well as numerous chapters and articles. For Bedford/St. Martin’s, she is the author of The St. Martin's Handbook, The Everyday Writer, EasyWriter, and Writing in Action; the co-author (with John Ruszkiewicz) of Everything’s an Argument and (with John Ruszkiewicz and Keith Walters) of Everything’s an Argument with Readings; and the co-author (with Lisa Ede) of Writing Together: Collaboration in Theory and Practice.

Professor Lunsford has conducted workshops on writing and program reviews at dozens of North American universities, served as Chair of the Conference on College Composition and Communication, as Chair of the Modern Language Association Division on Writing, and as a member of the MLA Executive Council.

Lisa Ede

Lisa Ede is professor of English at Oregon State University, where she has taught since 1980. She has published a number of books and articles collaboratively with Andrea A. Lunsford, including Singular Texts/Plural Authors: Perspectives on Collaborative Writing and Audience Addressed/Audience Invoked: The Role of Audience in Composition Theory and Pedagogy, which won the CCCC’s Braddock Award in 1985. Ede is also a recipient of the prestigious Shaughnessy Award. Among her other publications are Situating Composition: Composition Studies and the Politics of Location, and Essays on Classical Rhetoric and Modern Discourse (with Andrea A. Lunsford and Robert J. Connors). In addition, for Bedford/St. Martin’s, Ede is the editor of On Writing Research: The Braddock Essays, 1975-1998, and editor, with Andrea Lunsford, of Selected Essays of Robert J. Connors.